Apanaeva biography

The story of the amazing fate of Apanaev Gusel. The story of an amazing fate in the newspaper "Halke Minem", the founder of a special genre in choreographic art, Igor Moiseev brought the folk dance to perfection, putting it on a par with ballet classics. There are numbers in the ensemble repertoire that are set almost 70 years ago, but they are also loved by the public today - all Moiseevtsev’s concerts are held with Angels.

The distinctive features of the I. Moiseev dance school are high professionalism, virtuoso technology, the ability to transmit the improvisational nature of folk performance. Its graduates are universal artists who are fluent in all types of dance. The dancer of the Moiseevsky school is the best recommendation anywhere in the planet, in any choreographic team.

But behind each name in the programs of different years is a string of bright stage images, beloved by several generations of spectators.

Among them are the name of the former leading the soloist of the ensemble, People's Artist of Russia Guseelmovnyna-Aapanaeva, who has been the director of the Studio School at the State Academic Ensemble of Folk Dance under the leadership of I. Speaking in the ensemble since the year, Guseelkhakhmudovna, thanks to excellent natural data and bright temperament, took the place of one of the leading soloists.

Moses put many dances on her. In the ensemble of folk dance, she worked for 34 years, while the average experience of the artist is 20 years. The ancestors of the Apanaevs are Kazan merchants, entrepreneurs, public and religious figures. Guseelapanaeva was born in Moscow, where her parents moved even before the Great Patriotic War. Father - Mahmud Rashidovich Apanaev - came to the capital from Kazan, where he graduated from the Tatar pedagogical college, continued his studies in Moscow.

In the capital, he met his future wife - Zainabbadulovna Khabibullin, originally from Orenburg. The Apanevs worked in the capital's Tatar schools - Mahmud Rashidovich led mathematics, and Zainabgibadulovna taught in elementary grades. After the war, the Tatar schools closed, and the Apanaev family offered to go to the periphery. Parents of Giuselkhmovna, deciding to stay in the capital, were forced to change the profession.

Makhmud Apanaev went to work as a turner at the plant, and Zainabgibadulovna worked as a corrector in the publishing house of foreign and national dictionaries. Brother of Guseelhmudovna - Shamil Apanaev - an artist. Before that, I could not even imagine that there are such unearthly creatures as ballerinas. They still stand in front of my eyes in pink and yellow bundles.

My parents, feeling my craving for ballet, took me to the city house of pioneers, which was at the Kirovskaya metro, where there was a dance studio. But, due to the fact that I did not have any preparation, I did not act in the first year. It was necessary to dance, but I knew nothing. But I decided not to give up. In the summer, I enrolled in the pioneer camp in the ballet circle to learn some dance and a year later to try my happiness in the house of the pioneers.

Returning home, I trained my own daily for a whole year. A year later, she acted. Perhaps the dream of ballet would have remained just a dream, and my desire to dance remained at the level of the house of the pioneers if one of my friends had not told me that there was a set to the choreographic school at the Bolshoi Theater. Mom and I literally passed the necessary documents on the last day.

I was then 12 years old. The selection took place in several stages. On the first round, having checked my data and learning that I was studying in the house of the pioneers, I, the only one of all the applicants, was asked to dance. I performed an Indian dance. But the second round-I did not go to the medical one because of myopia. Our profession is very complicated, requiring good health - a healthy heart so that there is no scoliosis, flat feet.

And if there are small vision problems, work on the stage can aggravate them. Now this drawback is eliminated by lenses, but before they were not there. He asked to call his parents. From him we learned that they call me to the third round. Mom immediately braided my mother, tied bows, crushed, and we went. I won’t say that I was some kind of miracle. But the commission bribed the expressive and emotional performance of my dance.

The artistic director of the school Yuri Kondratov again asked to dance, and the teachers supported me, repulsing the rhythm on the table. A day later, the lists of the arrived hung. It had my name. Moiseev chose their favorite graduates. If none of the theaters invited the young artist to work, he had to go to the periphery in Saratov, Voronezh, Riga, etc. But to stay initially in Moscow, there was, of course, the desire of many, if not all.

Igor Moiseev chose Guseelapanaev in his folk dance ensemble, although she was a graduate of the classic department. She had to retrain from a classic dancer to a folk dance dancer. The classic and folk dance is very different. Different music, plastic, body work. I still really like classics.But since childhood, I have been a very disciplined person, and if I did something, I was completely laid out.

Arriving at the ensemble, I gradually got involved in this work, found my charm in folk dances. You were everywhere represented as a soloist of the troupe ...-Indeed, he once said this. But, I think that he had in mind that he does not tolerate premiership. In addition, Igor Alexandrovich, if necessary, knew how to clearly put a person in place: today you are a soloist, and tomorrow you dance in the mass, no concessions - get up and work.

I would even say, Igor Alexandrovich never praised at all. But over the years it became softer. Apparently, he believes that if you did well, so it should be. This is normal, you must do your job well. Personally, I did not have enough praise. Now I understand that if I danced solo parties, then, then, I did my job well. But in my youth, it seemed to me that since they were not praised, I was doing something wrong.

Each of us has become a mother, another thing is that I could not afford to take a vacation to care for the child. Two months after childbirth, I went to work. But I went to this myself, because, firstly, I wanted to dance, and secondly, I got out of the form, and I needed to win my positions. I never took sick leave for childcare, I had the opportunity to connect my father in such a situation.

He helped me a lot in raising my son, I left the child with a calm soul on him and went on tour. Of course, there were times when I knocked down a temperature of 38 and ran to the theater the next day. But this is not a victim, but probably fanaticism. But now he is no longer dancing. It was a documentary telling about the folk dance ensemble I. every day for four months in the rehearsal studio stood cameras, the corresponding light was introduced - shooting was held.

Without knowing it, I myself turned out to be one of the heroines. The main characters of the film are Igor Moiseev and the ensemble, whose work was shown through the prism of two heroines - Nelly Samsonova, who is gathering in retirement, and a young artist who had just come to the team. I became her. The film shows how I was introduced into the repertoire, how the team accepts me.

This film is a kind of visual document about our ensemble. After the film was released, proposals from the directors fell on me. I was even approved for the main role in one film, but Igor Alexandrovich did not release. It was an unforgettable time for me. At that time, this film was landmark, and now many remember it, and they often show it on television. Even today, the gasting of so many years, they recognize me on the street.

To my surprised question of how they can find out me, they say - by my eyes. I buried mom when I was 12 years old. But I don’t think so, nothing is easily given to anyone in life. To keep the soloist in the ensemble of Igor Moiseev, you need a lot of work. It was necessary to work hard so that no one from the artists could say that you have become worse, weaker, you can’t or you can’t pull something, not to mention Igor Alexandrovich doubted.

As a child, I was not accustomed to this, although I remember that with my parents we always spoke words from prayer before meals. But in my soul I always believed and believe in Allah. She said, it became easier, and everything - fluttered onto the stage. Igor Alexandrovich always said that the Tatars are very capable of dancing, a purposeful and hardworking people. Perhaps he thought so because of plasticity, cat grace, characteristic of our people.