Biography of Vaska ash

The character quotes are the story of the character, like the rest of the plays of Maxim Gorky's play “At the bottom”, Vaska ash is in a hopeless situation. This burdens the young thief, because he will reach for an honest life with his soul. Gorky described the creation of the character’s life in the drama - at the turn of the XIX -XX centuries in Russia, thousands of representatives of this social layer appeared in Russia.

But the author had enough observations of such people in one Nizhny Novgorod.

As a result, most heroes of the play had real prototypes, including Vaska ash. For two years, the playwright worked on a work in which he spoke about the world of lower classes. He attributed his heroes to the category of “former people” - these are various tramps, descending proletarians, as well as yesterday's intellectuals who were ruined and disappointed in life.

The character’s father is a thief, mother is a housewife. From an early age, Vaski fell on deprivation and difficulties. The boy was not loved by peers, he constantly became an object of ridicule and bullying. The grown -up Vaska Pepel is trying to become a member of society. But due to the lack of education and low status, he failed to achieve this. As a result, the guy follows the example of his father, who has been in prisons for more than one year for theft.

In the end, the character of Gorky loses the meaning of life and falls to the bottom of society. The ashes are dirty in drunkenness, forgets hopes for the best and care for tomorrow. Like the rest of the heroes of the drama, he experiences flour from a hopeless situation. A thief by profession, Vaska Pepel is engaged in theft, and things are sold to the owner of the poor night of Kostylev, with whose young wife he has an intimate connection.

The appearance and character of the hero Pepla is 28 years old. Gorky describes him as a strong young man, impudent and violent while intoxicated. He already had to sit in prison dungeons twice - and all through the fault of Kostylev, who is afraid of the thief and dreams of fighting him once again. Therefore, in spite of everything, in the depths of his soul, the hope that fate will change for the better.

However, the ashes are a weak person, this prevents him from finally torn with the dark past and break free. Like a number of other characters in the play, Vaska is a positive hero, but the author of the work draws a portrait of a person pre -named for tragedy. The relationship of Vaska ash with others in the play by the hero is represented by a man on a social day, responding to the situation of the rest of the night with complete indifference.

His own fate is indifferent to him. Probably because of this he was confused with Kostylev’s wife. Communication with Vasilisa makes Vaska linger in the night, but he soon understands that in this woman he is fascinated exclusively by appearance. As a result, ash decides to break the relationship and tells her that that one has no soul. This recognition reveals the essence of the character’s gut-the resulting thief still dreams of something more significant than primitive low-life needs.

After breaking up with Vasilisa Pepel, not hiding from the rest of the inhabitants of the night, it is taken to take care of her sister. At the same time, there is no talk of love for Natasha - he treats the girl with pity and does not think about building true happiness with her. However, this feeling is mutual. The atmosphere in the night changes with the advent of a summer wanderer who considers a lie to be salvation.

At first, Vaska Pepel reacted to the comfort of Luke, like the rest of the trays, with wary and undisguised cynicism. He does not want to listen to his "fairy tales", but then everything changes. Hearing from Luke a parable about the righteous land, the thief suddenly feels the strength to correct the mistakes of the past. From that moment on, Vaska Pepel dreams of a better fate, hears the wanderer’s stories about beautiful Siberia and thinks to move there with Natasha.

But after Luke's departure, everything does not happen as the Wanderer forgave. Vaska accidentally kills the owner of the night, thereby determining her future fate. Now he is one road - in a brightly described by a talkative old man Siberia, only as a convict and already without Natasha. The symbol of the era in the play “At the bottom” Russian playwright described fate on the verge of survival.

Vaska Pepel refers to symbolic heroes, on the example of the biography of which Gorky showed the fate of thousands of people of that era. The ashes turned into an example of how a person is at the bottom due to social inequality and his own moral miss. Alexei Maksimovich outlined such disadvantaged people to point out the complete lack of proper development of society.

The reader experiences such heroes as Vaska, at the same time compassion and sympathy. But the main thing, when thoughtful acquaintance with the work, is conceived that everyone has the right to receive education and self -realization. No wonder Maxim Gorky is called the main proletarian writer. The ashes on the screen since the publication of the play took place a lot of theatrical productions of the work, as well as more than 10 film adaptations.

For the first time, the Hungarians turned to the drama of Gorky, taking away from her motives in the year the painting “Catalina Radmirova”. In subsequent years, a number of film works were released on the screens.In the USSR, the work was addressed 4 times, while twice the viewer was offered films-sponsor. In Russia, “at the bottom” was filmed by director Vladimir Cott - a picture appeared with the plot adapted to modernity.

The director proposed his own version of the play of the Russian classic. In the film of the year, the author’s plot and characters are preserved, only the action was transferred to Japan of the era of Edo. The ingenious director fell into the point, otherwise it would have turned out not to a world movie masterpiece, but a miserable parody. The role of STECITI - the parallels of the Gorky Peplu - went to the director of the director, actor Tosiro Mifune.

The effect of his game is indescribable: on the one hand, shown to the pain is familiar to the Russian viewer, on the other, it looks unusual. But the Japanese Vaska and the rest of the poor monastery still cause pity and compassion. After the creation of the play, it passed over the years, the world has become different. Moreover, the drama to this day has not lost its relevance.

The production of Gorky's creation continues to collect full halls. The character quotes Maxim Gorky put into the mouth of the ash a number of thoughtful expressions, which eventually turned into popular quotes. Vaska has her life experience, albeit specific. This allows him to talk about the relationship. If people are appreciated at work, then the horse is better than any person.

He says about the representatives of the weaker sex: in a woman, the soul should be thinking about the human essence, the ashes declares: on the feet, instead of boots, you will not wear any honor or conscience. The characterization of such a hero as Vaska ash helps to understand Gorky’s plan: even under the mask of a dishonest tramp and a thief, a kind pure soul and an ardent heart can eel.