Kustodiev Maslenitsa Biography

In the legacy of Kustodiev, a significant place is occupied by paintings that captured the originality of Russian folk life with its noisy colorful bazaars and fairs, booths, cheerful festivities on Shrovetide. He loved everything Russian: decorated with bizarre hut carvings, peasant utensils, painted toys, colorful sundresses and scarves. Much of this determined the style of his works - a decorative throw in color, a somewhat simplified interpretation of forms.

The use of some techniques of folk art was characteristic of masters of the World of Art. Krachkovsky informed Kustodiev: “Repin wrote to me that he was delighted with your“ Shrovetide ”.” Russian museum. From the icon to the present. St. Petersburg, their characters organically live in a winter or summer landscape lit by the bright sun, to the horizon inhabited by many human figures.

The traditions of Lubka and high museum classics, which were noted by the monumental forms of works, markedly and witty, mainly the heritage of the Renaissance, loved by the artist of the Venetians. This affected not only the enrichment of the color of the paintings, in the enamel overflow of their surfaces, but also in the principles of building compositions - either panoramic, then frizes, then growing up.

Sometimes, like P. Bruegel, the second and third plans sharply “break down” down, creating a rich and dynamic composition “Kupchikha”,; "Shrovetide",; Later - “Portrait of F. Chaliapin”, Kruglov V. on the anniversary of his birth. It was in the year, along with the Christmas Holy, another week, when even the Church even tried to look condescendingly at rampant fun and gluttony.

This week was called Masleni or Shrovetide - a Russian carnival, which inspired more than one generation of artists inspired by its unique originality and colorfulness. The most famous embodiment in painting was, perhaps, B. Kustodiev’s painting “Shrovetide”, a timing, which immediately conquers with its sparkling optimism and genuine feeling of joy of being. The holiday for Kustodiev is an ideal model of folk life, the artist’s romantic idea of ​​its perfection.

Therefore, the master deliberately deprived the features of concreteness, and actors - social certainty. Trade rows, fair booths playing the boys playing snowballs, a harmonist attached to a felled tree, equating horse -drawn teams ringing with bells - these are not so much objects and events, picked up by an artist from real life, but its images, experiences, dreams. The landscape of the "Shrovetide" is fantastic.

The city panorama occupying the background, as it were, contains recognizable features of all ancient Russian cities at once. Different domes, bizarre turrets of churches, powdered with bluish snow and gently melting against the background of the pink sky, seem to be decorated on the field of huge sugar cake. The inequemed ​​part of the composition is composed of small figures of people, drowning in all this luxury.

In the central group of either merchants or bourgeois, fell apart in a sleigh and laughing, as if concentrated all the artist’s vitality, his spiritual stamina, admiration for the unfading beauty of Russia and a Russian person. During the First World War, on the eve of social cataclysms that shocked the country in the year, the bright, life -affirming canvases of Kustodiev opposed the moods of pessimism and hopelessness, covering wide social layers.

Pavel Klimov. To hide the full text of its full speakers of “holidays” with their joyful and sonorous colors, smiling in ruddy faces, multidirectional movement are perceived as an apotheosis of folk life, as a reflection of the eternal dream of the people about the beauty, the happiness and fullness of being, brightly reflected in folklore and crafts. The master of the master permeates the idea of ​​a genuine “choral” beginning, which the theorist of Symbolism Vyach dreamed and yearned.

His most crowded “holidays” are harmonious and are a single whole not only because they are perfectly “cut” by the author, but also because their intent was already based on harmony, the idea that all people are brothers and members of the same huge family. Therefore, the artist chooses panoramic compositions with a deep and complex development of space options for “Shrovetide”, perfect, close -close formats of the paintings “booths”,; “Trinity Day”, depicts warm winter sunny days with hoarfrost and abundant fluffy snow or non -fire, clear days in the midst of summer.