Sultonali Rakhmatov biography

Contractor: Sulton Ali Rakhmanov Genre: Instrumental hits of the East. And in the fifth grade, my mother gave me to a boarding school, a military-music boarding school in Tashkent, and everything began from there. My first instrument was a basket, I studied at a basket at the conservatory. When I still passed the exam and they determined who the instrument was determined there, so they gave me the faculty.

It was interesting, I immediately liked the music. "That's right, now with a far-haired man, from a military-music boarding school, it began for the Sultan Ali to the music. His childhood was not easy-he lived with strangers, changed three orphanages until fate led him to music. Although what really his music will be, he, of course, did not know, he had a beautiful equipment.

He was not a musician there, he just loved the music. And so my serious hobby for music began. I liked her very much. Of the 24 hours I probably listened to 20 music. "Is it not true, the way is familiar - this is how the real foreign records were prohibited in the Soviet Union - not formal - the introduction of Sultan Ali to music. The influence perceived in childhood and youth to this day.

Western rocks and eposts on the one hand and military marches and songs that the Sultan learned to play in his military -musical internship, on the other hand, on the other hand, on the other hand. The obligation and flight that were not in touch with each other, but however, he was looking for his own music? And he says to me: “Sultan, you can only learn from the people.

If I start you to teach you, you will follow my road, you will become a jazz musician, but you must go your own way. His words were very sunk into my soul. I began to take from there, from here and analyze who sings how, how one does well, but the other is bad. How others learn from books, I studied on records and cassettes. I studied poppy, who sang. Sometimes they say: why are you spoiling the song, singing differently?

Our great singer and composer Yusup Rajapi said: "poppy is only a skeleton, and you must find the jewelry yourself - each its own. MAKE COMPLY SONGE, everyone sings as it can, for their pleasure." The Sultan Ali is, first of all, a stylist, like catching a musical style - be it geographical or aesthetic - and creating in it, in this style its own melodies. I did not take the music, I only took the style.

For example, if I put on an Indian shirt that I like, I will not turn into an Indian because of this, but will remain an Uzbek. So with music. The strongest musicians, the strongest singers should constantly come up with something new, new smell, new flavor. Every year I try to come up with something new.

To what extent does he use traditional Uzbek national tools? Here in our Uzbekistan, Tambor is considered the most original. This is a two-stringed instrument, very beautiful in sound, something resembles Sitar. All the rest - Dutar, Dombra - they are all similar as twins. There are also analogues of European instruments - violin and rivers, flute and nay.

There is a carnay that is considered to be a national tool, but it is actually a Macedonian tool from the XIV-XV century. I used it in the play "Melody of the East." She first sounded at the International Festival in Samarkand in the year and for the festival I specially wrote music with the carna and it became almost like a anthem. "