Renata Tazetdinova biography

Renat Tazetdinov: “I am most afraid that I will be left without my wife that she will leave before me.” Read us in Telegram yesterday in the year of life, Renat Tazetdinov, the legendary actor of the Kamalovsky Theater, national artist of Tatarstan and Russia, died. One of his last interviews three years ago, he gave the Tatar Inform journalist Ruzile Mukhametova. In this conversation, he talked about why he did not take up new roles, about the theater, the future of the Tatar language.

Renat Tazetdinov: “When I acted, I did not even know what the theater is. Maybe even not a single performance we saw him talked with him on a fine day on the bench by the gate. Perhaps our conversation will seem too frivolous to someone. Indeed, in fact, with Renat Abih, one could speak on deep philosophical topics about high matter or make an interview about art and its roles in the theater.

But we sat in a simple way, in a neighborly one and discussed what is happening in the world and the life of an ordinary person. But whatever we talk about, our conversation still went around the world of art-the life of the artist is as if, in a different way, it cannot be. Our conversation began with the memoirs of his colleague Khalim Zalyalov - the pain of loss still did not subside.

He taught young artists an artistic word in their native language, because, although they studied the actor, they did not feel the intricacies of the Tatar language. He always helped others, because of this he lost a lot that he could get for himself. He was a very talented actor. And he did not manage to receive the Tukaev Prize, and they did not give honorary titles of Russia at the request!

He was not seen, they did not notice. They do not know how to see a person, his talent, merit. Perhaps I just don't know. Halim, of course, did not go like that. But he knew that he was worthy, he said: "I had to receive the Tukai Prize." But to whom it is destined-someone is growing very quickly, and someone is lost, disappears. Art is a very difficult thing this year in the Kazan Theater School Farid Bikchataev gained a course, a man came with the hope of acting.

Farid chose no more of all, probably sixteen. After the school, they will want to stay at the Academic Theater. All to one! No one wants to go somewhere to provincial theaters. And whoever gets here, who is not. After all, in addition to talent, it is also necessary that the director be able to see, see the potential of the actor. The ability to reveal the artist is also a great art. You don’t know about my young years you were a very beautiful actor.

Aesop, Tartuf, Ilyas in “My Topolki in the Red Kosynka” when Rashida Apa Ziganshina suggested putting this work of Genghis Aitmatov, Shiriyazda, Abi Sarymsakov said: “I have no artists for him.” Rashida Apa brought one Uzbek director, and he “saw us” - I and I played with Nail Garaeva. The performance was perfect. Immediately large roles of replicas to learn them, someone had to tell me.

And the wife of the Tatar’s wife is not very wife Renat Tazetdinov rose in Moscow. Constantly taught her text, without it in any way. If you wait for everything to appear by itself, you can not wait. Even the actors who showed themselves even that could once be “wooden”.

There is such an example. I will not say who it is, but the actor very well -known today even wanted to dismiss the theater from the theater, supposedly nothing would work out of him. And how he opened! Much depends on the director how he will select the role. To be an actor, you must first think. Did you think? I'm a village! And when I acted, I did not even know what the theater is.

Although in our village I visited the mobile theater, I watched their performance with surprise and from that moment I was already in love with the theater. There was not even such a thought? I was in love without memory. Once in the family there was not even money left for milk, and I went to the minister. I say: "Not a penny in your pocket." He said: "Okay, I will add a salary to you, just do not leave." Added 5 rubles.

At that time, this increase helped us a lot. It's not even that. I was amazed at how wisely my wife acted. When I thought about moving to Moscow, she said: “Renat, for example, will leave, and what will you do there? Perhaps you will work on television and start drinking. ” Because there is such an environment - everyone drinks. And I did not particularly drink. The scene from the play “So happened” Photo: Kamalteatr.

Once in his village he drank a glass of moonshine and was poisoned, and after that I have a bad attitude to alcohol. And so, they drank for the holidays - without it did not work. He didn’t smoke - Marcel Salimzhanov taught. In the play “Frantic Money” I have a small role, and I had to smoke a cigar there. It started with this - he smoked ten years. Somehow I think: I smoke and smoke, there is no sense in this, in many performances it is not necessary to smoke.

I think, wait, why I inhale the smoke. I poison myself. He and his wife Gulnar both loved Gusyatin. Everyone loves her, she is tasty. But there is a lot of it - this is the load on the liver, is poorly absorbed. I tell him: "Why do you eat so much goose, it is harmful." And he: "I ate, eat and eat." Maybe he harmed this to himself, he died early, he was only 66 years old.

You need to know yourself, you need to listen to yourself. Have you ever tried to teach?But I was very busy in the Union of Theater Workers - I worked there for 20 years. They say to me: "You will come once a week." And I say, it is impossible, and the salary will receive ashamed. Therefore, he did not undertake. If you teach, then you need to live there, but I can’t. Your work in the Union is more everyday concerns, they are not particularly remembered, probably.

What will remain after you? I was persuaded to move from Kazan STD to Moscow, but we did not move. But they did not tear relations, otherwise the connection is lost with other theaters and you begin to cook in your own boiler. They see my game on stage and study. Someone even wrote a candidate-I don’t know if it turned out to him, I still could not fully give myself to teaching, because I had to work hard.

Marseille Salimzhanov taught, Farid Bikchantaev also teaches. After all, they find themselves a good assistant, and he works, and then they come and correct. Shamil Bariev taught for many years, he was a delightful teacher. Love, jealousy was tormented, his health was sorry, a man disappeared.