Sartakova biography

Disconnect on the page Sergey Sartakov to disconnect on all pages of the authors to preserve the biography - Sergey Sartakov was born in the family of a railway worker, who moved to Siberia from the Tambov region in his youth. B - the Sartakov family lived on taiga bay, where children did not have the opportunity to attend school, and in the year Sergey passed exams for the school course by an external.

In the year, the Sartakovs moved to Minusinsk, where Sergey got a job in the artel as a joiner and part -time accountant. Returning to Minusinsk, he entered the work as an accountant in the Sevpolarles Trust, who was already transferred to Krasnoyarsk. CO lives first in Yeniseisk, and then in Krasnoyarsk. A variety and vivid impressions of life in the taiga, full of adventure, acquaintance with hunters, craftsmen - sometimes difficult and dramatic destinies, their stories and exposure - pushed Sartakov to the idea of ​​writing.

He published the first story. He moved to Moscow. The Honorary Citizen of Krasnoyarsk was a member of the editorial board of Roman-Gazeta magazine. In the newspaper Yenisei Pravda, his first publication appeared - the feuilleton “Strange Combination”. He began to cooperate in the newspaper Krasnoyarsk Worker, Krasnoyarsk Red Army, but mainly in Yenisei Pravda. There he published notes, correspondence, reports, interviews, feuilletons - what is called a newspaper turnover or newspaper trifle.

The first real story - “Alexei Igonyov” - appeared in “A collection of novice writers of the Krasnoyarsk Territory”. The first book, the name “Alexei Artonov” appeared in many adventure stories that were deposited in the memory of Sartakov from the youth years, when he listened to the exposure and unprecedentedness of taiga bonfires, forced him to turn to children's adventure literature - this is how the story “On the Chunsky thresholds” appeared, which received a bonus for the all -union contest of Detgis.

The first SB came out. All these things are saturated with solid life material - there are many people, stories, unusual destinies - they are closely connected with the same material of severe reality that at first a kind of “running -in” in newspaper notes, essays and sketches went. In his first books, especially in the Stone Fundament, Sartakov was a purely modern writer - he wrote in a hot trail.

Alexei Cheononov is a worker of a sawmill, but at the same time a taiga resident, a hunter, a ranger. The writer had the idea to combine these hypostasis - factory and taiga, and in fact, factory and peasant. Thus was in one time and interesting this character. There is a war in the story, which is a rarity among Sartakov, since he did not experience the hardships of war. In any case, he built his story as a novel work, where both the plant and the peasantry, and the war are present, and in the image of the wounded artist - the problem of creativity.

Separate threads stretched from the “stone foundation” in other works of Sartakov, in the writer's thoughts about the present became the basis of the stories “Mountain Wind”, “Do not give the queen” “Slow Gavot” interesting that the novels are written in the first person. In the “Mountain Wind”, these are the summer Barbin and his friends, and in other, now the novels seem outdated in their issues “psychosis of higher education”, but at one time they, perhaps thanks to the sensitively noticed youth language, as well as aptly captured details of life and study, had their own, in p.

The largest work on the coverage of the life of Siberia - from pre -revolutionary to the post -revolutionary years - was the wide canvas of the Sayan Ridge. Sartakov introduces the reader to the historical situation of the end of the x. These are years of intensive, sometimes predatory capitalization of Siberia. In Siberia, the working class arises and develops. Sartakov’s father was a railway worker on the laying of the Trans-Siberian Railway.

Perhaps his stories served, at one time, the basis of many scenes in the novel, where we are talking about the Great Railway. However, to a much greater extent, Sartakov acts in the "Ranks of the Sayansky" as a historian and even an archivist historian. His book is saturated with rich historical material.

He created a whole gallery of persons-workers, professional revolutionaries, hunters-hacks, intellectuals belonging to different parties. But in the center of the work - the fate of several working families; It is they who create, according to Sartakov, the ridge of Siberia. In it, he extended the action of the "Sayan Ranks" during the Civil War and during the construction of socialist Siberia.

However, large and diverse material did not gain the proper artist. Criticism had previously pointed out Sartakov to the main drawback of his manner - the mismatch and randomness of the composition, the lack of focus and determination of the action. Sartakov belongs to the number of writers who quickly go into the past - he gave the full tribute to the canons that existed in his time.

In the novel “Lead Monument”, he showed how the artist subjugated his work to the requirements of the party. Sartakov spoke about himself with full right and pride.Often, undoubted talent saved him - especially in early books where there is a family hearth, human joys and troubles, where there is spontaneity, where illustrativeness and thesis have not yet led to talent.

Detailed biography.