Sishor Biography
Together with his family, he emigrated from Sweden to the United States. In the city of G., he received education at Yale University, where he mastered the structural psychology of E. Titcheener and where the president of the American Psychological Association formulated his own theory of musical abilities, in which musical talent was interpreted as an innate and not exposed to external circumstances.
Corresponding congenital abilities have various degrees of severity. In the framework of these ideas, on the basis of psychometric requirements for psychological dimensions, he developed the first standard test - the “Sisher Musical Talent” Seashore Measures of Musical Talent. Columbia Gramophone, the initial set consisted of six subtests recorded on a gramplast. It was built primarily on the basis of the use of the psychophysical method of constant stimuli.
The tested first was offered a sound as the standard, and then the second, something different from the first volume, height, etc., were built on comparison in comparison in the height of the sound wave, the volume of the amplitude, the duration of the duration, the consonance and the dissonance of the drawing. In addition, a subtest for tonal memory was given. It was allowed that there were other manifestations of musical talent, but it is precisely the involved in the test that are measured.
A potentially talented person should fulfill them well, and if poor results are obtained, then there is nothing to spend strength on music, since it is impossible to develop talent. In the X years, K. Saetveit and D. At the same time, the subtest for consonances and dissonances was lowered because there were no real standards. The timbre subtest was also revised.
Checking the validity of the results using external criteria has proved the usefulness of subtests to the height of sound, rhythm and tonal memory. The prognostic validity of the rest was smaller. He was also engaged in the study of the musical sound of the voice, piano, violin. He expressed the opinion that the sensation of the beauty of music is based on its ability to evoke various feelings and emotions in the search of beauty in music in the listener.
Ronald Press, in the future, together with N. Meyer, developed an art assessment test. In it, two works of art, usually paintings, were proposed in it, and he had to choose the best. At the same time, one work was a copy of the original, written by the artist, the other contained some changes that made it aesthetically less attractive. Subjects with a good artistic taste chose copies of originals.
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