Guzalia Fazilzyanova Biography

The branch of science: Culturology The main scientific provisions formulated by the author on the basis of the studies: 1. The substantiation of understanding as a phenomenon, the creative-ontological nature of which is defined by a specific methodology based on: and the principle of dominance of existential-oriented motivation in the communication system “subject of understanding-artistic text”; b problem determination of the process and the result of the ontologization of meanings; in the self -organization of the understanding process, the energy of which is generated according to the laws of synergetics and is formed in the resonance field of the meanings of the text and the content of the interpreter's context; G re-centered in the structure of the method from rationally cognitive tools for holistic recreation and representation of the “pictures of the world” of the literary text: the concept and special status of the image, which in the structure of the subject’s understanding activity receives the status of the ontological picture of being.

The culturological methodology of understanding compensates for the deficiency of the positivist method with its rationalistic principles of cognition and logical and discourse thinking based on causal relationships by mutualing various paradigmatic vectors: philosophical, scientific and problematic. Culturological discourse in the framework of this methodology does not so much analyze and interprets as it “collects” everything, ontologizes textual being as integrity.

Characteristics of the onto-cultural possibilities of understanding, providing: firstly, recreation and creation of meanings that are absent in the structure of the text; Secondly, the enrichment of human existence and the creation of new subjectivity by expanding the social, spiritual, moral and psychocultural experience of the personality of the interpreter; Thirdly, saturation with the new meanings of the communicative space, which becomes the cultural environment of the personal development of the subjects included in it.

The artistic image as a carrier of meaning simultaneously acts as a project of reality, folded by the model of man and the world, which unfolds its meanings in the process of understanding activity of the perceiving subject and thereby, as it were, creates the very reality, including the world of human subjectivity. The process of understanding, regardless of the measure of awareness of the subject, contains the deep meaning-growing structures involved in the creation and formation of the semantic matrix of the literary text as an aesthetic-cultural integrity.

The interpretation of understanding as a dialogical in nature process of the process of subjects, purposeful for the actualization, objectification and presentation of the meanings of the literary text in the system of socio-cultural communications. The algorithm of the process of understanding thought-activity involves the phased comprehension of the literary text, including: direct perception that sees the text as a set of images; experience of images in accordance with life experience by including them in the “semantic field” of their own biography; The interpretation of the experienced text by decomposing it into certain semantic units with subsequent recreation in the form of an “understanding text”.

The system of subjective factors that determine the creative effect of understanding, including: a general methodological culture of understanding, the ability to productive, reflective thinking; the reserve-supplyness of the subject of understanding with the problematic field of the literary text, which arises subject to the coincidence of the axiological and problematic dominant, that is, the correspondence of the value foundation of the spiritual world of the subject and the literary text; in the "thematic sensitivity" of the interpreter; G modeling of the nature and logic of the reproduction of the event of the text at the time of reflection and interpretation in accordance with the "fa-vision" of the resolution of plot contradictions and conflicts.

The concept of the creative-ontological method of understanding as a holistic and multi-level activity of consciousness, which provides the optimal combination of creativity and adequacy of the interpretation of the policy space of the literary text due to the specially organized process of the effect, repeating the algorithm of the creative process and including: and reading the artistic text in the form of direct display of the image; b experience as a direct perception of the image in accordance with their own life experience and its inclusion in its semantic and problematic field; In the interpretation of the experienced “text-image” in the form of reflection by decomposing it into certain semantic units with the subsequent recreation of integrity, that is, the transfer of a work from an objectified product into spiritual activity, a recreating model of the process of its production.

List of published work of the monograph 1. Fazilzyanov, G. Understanding the literary text as a cultural phenomenon. Culturological methodology of understanding of literary texts. Fazilzyanova, Z. The muscular nature of the understanding of the literary text.Textbooks and methodological recommendations Theory and history of folk art culture: Methodological recommendations. Fazilzyanova G.

World art culture: Methodological recommendations. Tatar modern art culture: methodological recommendation. Tatar traditional art culture: Textbook. The Techniques of Art Text Understanding: Methodological Guide for the course “World artistic culture in a foreign language” for students of the specialty “Art History”, “Management of tourism and hotel business”- Kazan: Fatherland Publishing House, Scientific Articles and Materials of the All-Russian Scientific and Methodological Conference.

International Scientific Conference.

International Scientific and Practical Conference. Materials of the All-Russian Scientific and Practical Conference 1. Marketing message as a text: problems of understanding. Advertising, etc. In Russia. Current state and development prospects. Materials of 5 All-Russian Scientific and Practical Conference on February 15 Eagle, Marta G. Materials of the International Scientific and Practical Conference.

Scientific and practical conference. All-Russian scientific and practical conference. Philosophical problems of understanding of the text. Materials of the International Scientific and Practical Conference on April 19, the Network Encyclopedia "Famous scientists" Biographical data of scientists and specialists-the project of the Russian Academy of Natural Sciences.